Clear pricing. No agency fees.
Every project is different, so these are honest starting points. You'll always get a clear, itemised quote before anything begins. All prices in GBP (£), covering London and the whole of the UK.
Starter
A single, simple video, or a batch of social content.
- Half-day shoot, single camera
- One edited video, or a batch of short-form clips
- AI-assisted edit, colour & sound
- Captions + delivery in every format
- 2 revision rounds
Professional
A polished corporate film or brand video.
- Full-day shoot, single location
- One flagship film + social cut-downs
- Scripting & shot planning included
- Motion graphics & lower-thirds
- AI-assisted post-production
- 3 revision rounds
Production
Events, launches, multi-day shoots or live broadcast.
- Multi-day / multi-camera production
- Multiple deliverables & formats
- Live streaming available
- Same-day highlight edits
- Full creative direction
- Priority turnaround
What moves the price
Two videos can both be a corporate film and cost wildly different amounts. These five things decide where your project lands.
Filming days
The single biggest factor. Crew, kit, travel and edit time all scale with it, so a half day is far cheaper than a full one.
Locations
One room is simple. Three sites across a city means travel, setup and lighting each time.
Crew size
A lot of corporate work I shoot solo. Add a second camera, a sound recordist or a director and the cost rises with it.
Deliverables
One polished film is one price. The same shoot cut into ten social clips, a highlight reel and subtitled versions is more edit time.
Turnaround
Standard delivery is built into the price. Same week or same day edits carry a premium, because they push everything else aside.
Build your own
Prefer to build your own? Here's the full menu: mix and match, and I'll wrap it into one clear quote.
Pricing questions
Both, whichever suits you. A day rate starts around £1,200 for a solo shoot including kit, and works well when you want flexibility on the day. A fixed project price is better when you want certainty: you know the final number before we start, and it does not move unless the scope does.
Travel beyond the M25, overnight stays on multi day shoots, paid music licences, actors or presenters, and studio hire if your project needs one. I list all of it in the quote before you commit, so there are no surprises on the invoice.
Yes, half up front to hold the date, the rest on delivery. For longer projects we can split it across milestones instead.
Standard turnaround is five to ten working days after the shoot, depending on the length and how many versions you need. Same week and next day delivery are possible at a premium, and event highlights can go out within 24 hours if that is agreed in advance.
Because a big part of an agency invoice never reaches the camera. It pays for account managers, project coordinators and overheads. You deal with me directly, from the first brief to final delivery, so you pay for the filming and the edit, not the layer above it.
Honestly, not to the standard I put my name on. Below that you are looking at a phone shoot or a template edit, which has its place, but it is not what I do. If the budget is tight, tell me anyway and I will say what is realistic for it.
Need something in between, or an ongoing content retainer? Just ask, because most projects are quoted individually. No account managers, no agency mark-up: you work directly with me from brief to delivery.
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