Corporate Video Production in London
Company films, product launches, testimonials and internal communications, shot and edited to broadcast standard.
A corporate video has one job: it makes people trust you before they have ever spoken to you. Someone lands on your site, watches ninety seconds, and decides whether you look like a company that knows what it is doing. That decision happens faster than any brochure can work, and it is very hard to undo.
I have spent more than twenty years behind the lens, including live broadcast for national television, where there is no second take and no room for a shot that almost works. That standard is what I bring to a company film, whether you are a five-person studio in Shoreditch or a listed business with three offices and a compliance team.
Every project is handled by me personally, from the first planning call to the final file. There are no account managers in the middle, no junior crew sent in my place, and no surprise line items at the end. You talk to the person who is actually holding the camera.
Most of my corporate work ends up in three places: the homepage, the sales deck and the recruitment page. Those three need different edits of the same shoot, so I plan for them from the start rather than cutting a long film and hoping it works everywhere.
Who this is for
Companies that look bigger than their website suggests
You do good work, but your site still says start-up. A single well-shot company film closes that gap faster than a redesign.
Teams launching a product or service
You need one film for the launch, cutdowns for social and a version the sales team can send in an email. Same shoot, three outputs.
Businesses whose customers say the best things about them
Client testimonials and case studies, filmed so people sound natural rather than coached. This is the work that shortens sales calls.
Organisations with something to explain internally
Induction, safety, a new system, a change nobody asked for. A clear film beats a forty-slide deck and gets watched to the end.
Everything in your Corporate Video Production
What lands in your inbox
- The finished film in full quality, ready for your website and for YouTube or Vimeo
- Short cutdowns for LinkedIn, Instagram and TikTok, framed vertically rather than cropped from the wide shot
- A subtitle file and a burned-in captioned version, because most of your audience watches on mute
- Stills pulled from the footage, useful for the article and the social post that follow
- Two rounds of revisions, and the raw footage on request if you want it archived
A simple, calm process
Brief & plan
We talk through the goal, the audience and the one thing the film has to say. I build the script, the shot list and the schedule from that call.
Film
A calm, efficient shoot day. I handle camera, lighting and sound myself, so your team can concentrate on sounding like themselves.
Edit
Editing, colour, sound and graphics, with your review rounds built into the schedule rather than squeezed in at the end.
Deliver
Final files in every format and aspect ratio you need, named sensibly, ready to publish without anyone having to re-export anything.
What moves the price
Every quote is itemised, so you can see what each part costs. The pricing page has the full menu.
Filming days
The single biggest factor. Crew, kit, travel and edit time all scale with it, so a half day costs far less than a full one.
Number of locations
Two rooms in one building is straightforward. Three sites across two cities means travel, setup and a longer schedule.
How many people speak on camera
Each contributor needs setup, sound and time to relax. Four interviews is a different day from one.
How much happens after the shoot
A clean cut with titles is quick. Animated graphics, voiceover, multiple language versions and six social cutdowns are not.
Common questions
Most corporate projects start from around £1,200 for a single-location shoot with the edit included, and scale with filming days, locations and deliverables. You get a clear, itemised quote before anything is booked, with no agency markup on top. The <a href="/pricing/">full pricing page</a> lists the individual items if you want to build your own.
A standard corporate video runs two to three weeks from brief to final delivery. One week of that is planning, one day is filming and the rest is editing and your review rounds. If you have a launch date, tell me early and I will work backwards from it. Rush turnarounds of 48 to 72 hours are possible when the schedule genuinely demands it.
Yes. I film across the UK most weeks and internationally for the right project. Travel is quoted openly up front, so you can see exactly what it adds. If your sites are spread out, it is often cheaper to film them in one run than to book separate days.
No. Most clients arrive with a rough idea and a deadline, and we shape it together on the planning call. If the film needs a written script I will draft it and send it for approval. If it works better as guided conversation, I will prepare the questions instead so nobody has to memorise lines.
It is the most common thing people tell me, and it is rarely a problem by the end of the day. I shoot interviews as a conversation rather than a performance, keep the crew small so the room stays calm, and cut around the false starts. People almost always sound better than they expect.
You do. The final files are yours to use anywhere, for as long as you like, with no licence renewals and no per-platform fees. The only thing I ask is that I can show the work in my own portfolio, and if the project is confidential, even that is off the table.