Reels, TikTok & Social Video
Thumb-stopping vertical content, batch-produced and built for how people actually watch on mobile.
One polished film a year does not move anything any more. The platforms reward showing up, which means the question is not how good your best video is, but whether you have something worth posting on Thursday.
So I film in batches. You give me one shoot day, and you leave with weeks of material: separate videos, each with its own hook, rather than one long film chopped into pieces. The difference is obvious in the numbers, because a clip cut out of a corporate film always looks like a clip cut out of a corporate film.
Everything is shot vertically from the start. Not filmed wide and cropped later, which is how you end up with heads touching the top of the frame and captions covering the speaker. Framing for 9:16 is a decision made at the camera, not in the edit.
The editing is built around the first two seconds, because that is where the viewer decides. After that it is pace, captions and getting out before the interest runs out. AI takes care of the slow parts of post-production, which is what makes the volume affordable.
Who this is for
Brands that need to post every week
You know consistency is the whole game, but producing something new each week is the part that quietly falls apart. One shoot day fixes a month.
Founders building a personal profile
You are the face of the business and you know it works. You also have about two hours a month for this, which is exactly what batching is for.
Product and e-commerce teams
Short demos, unboxings, before and after. The formats that sell on mobile, filmed properly instead of on a phone in the stockroom.
Marketing teams with a calendar to fill
You have the plan and the posting schedule. What you are missing is the footage, in the right shape, on time.
Everything in your Social Media, Reels & TikTok
What lands in your inbox
- Between eight and twenty finished vertical videos from a single shoot day, depending on the format
- Burned-in captions on every video, plus a separate subtitle file
- Correctly sized exports for Reels, TikTok and Shorts, so nothing gets re-compressed on upload
- A cover frame for each video, chosen rather than whatever the platform grabs
- The files named by topic and numbered, so scheduling them takes minutes
A simple, calm process
Content plan
We turn your topics into a list of hooks and decide how many videos the day should produce.
Batch shoot
One focused shoot day, filmed vertically, moving through the list quickly while the energy holds.
Edit & caption
Each video cut separately for its own hook, captioned, colour-matched and sized per platform.
Schedule-ready
Numbered files, cover frames and subtitle files, ready to drop straight into your scheduler.
What moves the price
Every quote is itemised, so you can see what each part costs. The pricing page has the full menu.
How many videos come out of the day
Eight considered pieces and twenty quick ones are different edits. The filming is similar, the post-production is not.
How many people appear
One presenter is efficient. Four colleagues with different schedules turns a shoot day into a logistics exercise.
Location and setup
Your office with daylight is straightforward. A studio, or three locations in a day, adds travel and lighting time.
How much motion and graphics
Clean captions are quick. Animated text, product overlays and branded intros on every video are not.
Common questions
Typically eight to twenty, depending on the format. Talking-head pieces to camera go quickly, so twenty is realistic. Anything involving a product, a location change or several contributors slows the day down and lands nearer eight. We agree the target before we film, and I plan the day backwards from it.
Yes, if you want that. Most clients arrive with topics rather than scripts. I turn those into hooks and a rough structure, then we film them as talking rather than reciting. If you already have a writer, I will shoot to their script.
A batch day starts from £750 including the edits. The number of finished videos, the graphics and the number of locations move it from there. Compared with commissioning individual films, the per-video cost usually lands somewhere between a third and a fifth.
Often yes. If you have event footage, product shots or older films, there is usually usable material in there. I can cut vertical pieces from existing footage, though it will never frame as well as something filmed for the format.
You know your customers and I know what holds attention. In practice we spend the first half hour of the planning call turning the questions your customers keep asking into a list of videos. That list is usually longer than one shoot day can cover.
No, the posting stays with you or your agency, because the timing and the copy belong with whoever runs the account. What you get is everything ready to upload, correctly sized and captioned, so posting is a two-minute job rather than an afternoon.